Create me a Fantastical Vast Open World, Have the sky lavender and Baby blue Hues, the clouds blending in, The Trees Tall and slender with Purple leaves, the Grass Green, and Walking along the Lands are red haired Viking Giants wearing Bear and Tiger coats, and On the far a Black and Blue scaled Dragon coiled around a Sharp mountain peak
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@sharpgriffin3

Create me a Fantastical Vast Open World, Have the sky lavender and Baby blue Hues, the clouds blending in, The Trees Tall and slender with Purple leaves, the Grass Green, and Walking along the Lands are red haired Viking Giants wearing Bear and Tiger coats, and On the far a Black and Blue scaled Dragon coiled around a Sharp mountain peak

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Fantasy Art
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#Viking
#dragon
#fantasy art
#fantasy landscape

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Cartoon viking with horned helmet, braided orange beard, round belly, tiny axe, hearty laugh, standing on a cartoon longboat with a wavy flag

Cartoon viking with horned helmet, braided orange beard, round belly, tiny axe, hearty laugh, standing on a cartoon long...

Make a Orc Monk. He has a long viking like braid on top of his head and his sides and back is shaved off, golden yellow eyes, greygreen skin. He also has these super well maintaind small tusks. He carries a note book with a golden feather symbol on its cover. He has fine white monestary clothes wich he uses also in his travels so more like a martial arts robes. He should not look scary or a brute. More like a scholarMonk.

Make a Orc Monk. He has a long viking like braid on top of his head and his sides and back is shaved off, golden yellow ...

a man with long hair and a beard standing in front of rocks

a man with long hair and a beard standing in front of rocks

Battle-worn Viking berserker, shirtless with painted runes, wild hair, dual hand-axes, frenzied snarl, fiery raid-night glow

Battle-worn Viking berserker, shirtless with painted runes, wild hair, dual hand-axes, frenzied snarl, fiery raid-night ...

A fearsome orc raider in horned helm and sealskin cloak, boarding axe raised, salt-spray yell, storm-tossed longship deck

A fearsome orc raider in horned helm and sealskin cloak, boarding axe raised, salt-spray yell, storm-tossed longship dec...

The Norse god Odin, with his two ravens on either shoulder and his one eye covered. A very Viking era design, tall, intimidating, weathered by age but still looks strong and capable. With a rune covered box that he is presenting to the audience

The Norse god Odin, with his two ravens on either shoulder and his one eye covered. A very Viking era design, tall, inti...

Create me a Fantastical Vast Open World, Have the sky lavender and Baby blue Hues, the clouds blending in, The Trees Tall and slender with Purple leaves, the Grass Green, and Walking along the Lands are red haired Viking Giants wearing Bear and Tiger coats, and On the far a Black and Blue scaled Dragon coiled around a Sharp mountain peak

Create me a Fantastical Vast Open World, Have the sky lavender and Baby blue Hues, the clouds blending in, The Trees Tal...

A fierce Viking shieldmaiden with braided blonde hair, fur-lined leather armor, round painted shield, and a broad axe, snarling on a windswept rocky shore.

A fierce Viking shieldmaiden with braided blonde hair, fur-lined leather armor, round painted shield, and a broad axe, s...

Make a Orc Monk. He has a long viking like braid, golden yellow eyes, greygreen skin. He also has these super well maintaind small tusks. He carries a note book with a golden feather symbol on its cover. He has fine white monestary clothes. He should not look scary or a brute. More like a scholarMonk.

Make a Orc Monk. He has a long viking like braid, golden yellow eyes, greygreen skin. He also has these super well maint...

Make a Orc Monk. He has a long viking like braid on top of his head and his sides and back is shaved off, golden yellow eyes, greygreen skin. He also has these super well maintaind small tusks. He carries a note book with a golden feather symbol on its cover. He has white monestary clothes wich he uses also in his travels so more like a martial arts robes. He should not look scary or a brute. More like a scholarMonk.

Make a Orc Monk. He has a long viking like braid on top of his head and his sides and back is shaved off, golden yellow ...

Make a Orc Monk. He has a long viking like braid on top of his head and his sides and back is shaved off, golden yellow eyes, greygreen skin. He also has these super well maintaind small tusks. He carries a note book with a golden feather symbol on its cover. He has white monestary clothes wich he uses also in his travels so more like a martial arts robes. He should not look scary or a brute. More like a scholarMonk.

Make a Orc Monk. He has a long viking like braid on top of his head and his sides and back is shaved off, golden yellow ...

Make a Orc Monk. He has a long viking like braid on top of his head and his sides and back is shaved off, golden yellow eyes, greygreen skin. He also has these super well maintaind small tusks. He carries a note book with a golden feather symbol on its cover. He has white monestary clothes wich he uses also in his travels so more like a martial arts robes. He should not look scary or a brute. More like a scholarMonk.

Make a Orc Monk. He has a long viking like braid on top of his head and his sides and back is shaved off, golden yellow ...

Make a Orc Monk. He has a long viking like braid on top of his head and his sides and back is shaved off, golden yellow eyes, greygreen skin. He also has these super well maintaind small tusks. He carries a note book with a golden feather symbol on its cover. He has white monestary clothes wich he uses also in his travels so more like a martial arts robes. He should not look scary or a brute. More like a scholarMonk.

Make a Orc Monk. He has a long viking like braid on top of his head and his sides and back is shaved off, golden yellow ...

attacks, freeing the line of attack so you can attack. Used with the three fundamental blocks of the ving tsun system. Than can a block and beggar's hand.Itis one of the The techniace 1s used to redi. arm parallel to the ground it can also be used to trap and control an incomin technique, disabling it from use. The ran sal is created by placing the fingers on the line of attack at your chest and then pushing them forward with the elbow so they follow the line of attack The wrist follows the same path as the fingers. As the wrist gets to the chest it then moves in to occupy the line of attack. The same with the elbow. then complete the fingers, wrist and elbow will all be on the line of attack. When kept on the line of attack the taan sau will be able to enter into the smallest holes in the defense of the opponent, like a needle. The taan sau can be performed flat, with the forearm parallel to the ground. Although not practical for stopping a punch to the head, this position has other It can be used to trap the arms of the opponent. Trapping the opponent's hands is difficult to perform and therefore increases your skill when you practice it. It also enhances the ability to handle the arms of the opponent. If the opponent's hands can be trapped with a parallel taan sau it is very easy to control them when the taan sau is not parallel. Train the hardest method in order to improve your skill. The parallel taan sau also shows the optimal elbow angle (between the forearm and upper arm). The angle will be somewhere around 130 degrees but is unique to Knowing and keeping this angle will provide the most structurally sound form. When using the taan sau in a fight, keep this same angle. Raise the taan sau by using your shoulder as a hinge and lifting the fingers. The angle at the elbow should not change. If the taan sau is always performed high there is no angle is correct. measurement relative to your body that can be used to confirm the distance or THE TAAN SAU SHOULD HAVE JUST ENOUGH WEIGHT to control and remove the punch from worry. It should not be too heavy. TAAN SAU COLLECTS HEI IN THE PALM AND SHOOTS ENERGY FROM THE FINGERS. When the taan sau is performed slowly hei is moved from the daan tian to the palms. When performing the taan sau in the form, imagine leading with your fingers as if energy was being thrown from them. Page 106 Words may show the will of a man, but actions his meaning.

attacks, freeing the line of attack so you can attack. Used with the three fundamental blocks of the ving tsun system. T...

attacks, freeing the line of attack so you can attack. Used with the three fundamental blocks of the ving tsun system. Than can a block and beggar's hand.Itis one of the The techniace 1s used to redi. arm parallel to the ground it can also be used to trap and control an incomin technique, disabling it from use. The ran sal is created by placing the fingers on the line of attack at your chest and then pushing them forward with the elbow so they follow the line of attack The wrist follows the same path as the fingers. As the wrist gets to the chest it then moves in to occupy the line of attack. The same with the elbow. then complete the fingers, wrist and elbow will all be on the line of attack. When kept on the line of attack the taan sau will be able to enter into the smallest holes in the defense of the opponent, like a needle. The taan sau can be performed flat, with the forearm parallel to the ground. Although not practical for stopping a punch to the head, this position has other It can be used to trap the arms of the opponent. Trapping the opponent's hands is difficult to perform and therefore increases your skill when you practice it. It also enhances the ability to handle the arms of the opponent. If the opponent's hands can be trapped with a parallel taan sau it is very easy to control them when the taan sau is not parallel. Train the hardest method in order to improve your skill. The parallel taan sau also shows the optimal elbow angle (between the forearm and upper arm). The angle will be somewhere around 130 degrees but is unique to Knowing and keeping this angle will provide the most structurally sound form. When using the taan sau in a fight, keep this same angle. Raise the taan sau by using your shoulder as a hinge and lifting the fingers. The angle at the elbow should not change. If the taan sau is always performed high there is no angle is correct. measurement relative to your body that can be used to confirm the distance or THE TAAN SAU SHOULD HAVE JUST ENOUGH WEIGHT to control and remove the punch from worry. It should not be too heavy. TAAN SAU COLLECTS HEI IN THE PALM AND SHOOTS ENERGY FROM THE FINGERS. When the taan sau is performed slowly hei is moved from the daan tian to the palms. When performing the taan sau in the form, imagine leading with your fingers as if energy was being thrown from them. Page 106 Words may show the will of a man, but actions his meaning. No text in art

attacks, freeing the line of attack so you can attack. Used with the three fundamental blocks of the ving tsun system. T...