An ancient river-naga sage, coiled jeweled serpent tail, four arms in meditation, third eye glowing, lotus petals drifting in misty turquoise water
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An ancient river-naga sage, coiled jeweled serpent tail, four arms in meditation, third eye glowing, lotus petals drifting in misty turquoise water

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#naga sage
#mythology
#ancient
#meditation
#serpent

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An ancient river-naga sage, coiled jeweled serpent tail, four arms in meditation, third eye glowing, lotus petals drifting in misty turquoise water

An ancient river-naga sage, coiled jeweled serpent tail, four arms in meditation, third eye glowing, lotus petals drifti...

A serpentine naga enchantress with emerald scales and golden arm-bands, coiled gracefully and casting a shimmering spell.

A serpentine naga enchantress with emerald scales and golden arm-bands, coiled gracefully and casting a shimmering spell...

A serpentine naga-demon with iridescent green scales, hooded cobra crest, golden bangles, swaying hypnotically, venom glistening on her fangs

A serpentine naga-demon with iridescent green scales, hooded cobra crest, golden bangles, swaying hypnotically, venom gl...

Old wise giant sage, long white beard reaching the ground, draped grey robes, leaning on a stone staff, gentle eyes, foggy mountaintop monastery behind

Old wise giant sage, long white beard reaching the ground, draped grey robes, leaning on a stone staff, gentle eyes, fog...

A wise elderly merman sage with a flowing white beard and grey tail, holding a glowing pearl, gentle eyes, kelp-forest light

A wise elderly merman sage with a flowing white beard and grey tail, holding a glowing pearl, gentle eyes, kelp-forest l...

Spindly multi-eyed arachnid sage, charcoal carapace, eight legs folded, silk-draped robes, contemplative cluster of eyes, dim web-strewn cave glow

Spindly multi-eyed arachnid sage, charcoal carapace, eight legs folded, silk-draped robes, contemplative cluster of eyes...

Ruler of the realm able to control all elements fire earth wind water void holy lightning ice. Humble kind majestic sage young

Ruler of the realm able to control all elements fire earth wind water void holy lightning ice. Humble kind majestic sage...

Realistic, no caricature, no speech, bubbles, intense colours and style. Two poses a young blonde girl in Renaissance robes has her mouth open in extreme shock. The second pose the same girl with a naughty smile. Full face

Realistic, no caricature, no speech, bubbles, intense colours and style. Two poses a young blonde girl in Renaissance ro...

Realistic, no caricature, no speech, bubbles, intense colours and style. Two poses a young blonde girl in Renaissance robes has her mouth open in extreme shock. The second pose the same girl with a naughty smile. Full face

Realistic, no caricature, no speech, bubbles, intense colours and style. Two poses a young blonde girl in Renaissance ro...

No caricature, no speech bubbles realistic a very wealthy young blonde man with short hair and ornate Renaissance robes three poses of the same figure front three-quarter view front and three-quarter view rear. He is very animated and gesturing.

No caricature, no speech bubbles realistic a very wealthy young blonde man with short hair and ornate Renaissance robes ...

Realistic, no caricature, no speech, bubbles, intense colours and style. Two poses a young blonde girl in Renaissance robes has her mouth open in extreme shock. The second pose the same girl with a naughty smile. Full face

Realistic, no caricature, no speech, bubbles, intense colours and style. Two poses a young blonde girl in Renaissance ro...

Realistic, no caricature, no speech, bubbles, intense colours and style. Two poses a young blonde girl in Renaissance robes has her mouth open in extreme shock. The second pose the same girl with an evil smile.

Realistic, no caricature, no speech, bubbles, intense colours and style. Two poses a young blonde girl in Renaissance ro...

No caricature, no speech bubbles realistic a very wealthy young blonde man with short hair and ornate Renaissance robes three poses of the same figure front three-quarter view front and three-quarter view rear. He is very animated and gesturing.

No caricature, no speech bubbles realistic a very wealthy young blonde man with short hair and ornate Renaissance robes ...

No caricature, no speech bubbles realistic a very wealthy young blonde man with short hair and ornate Renaissance robes three poses of the same figure front three-quarter view front and three-quarter view rear

No caricature, no speech bubbles realistic a very wealthy young blonde man with short hair and ornate Renaissance robes ...

attacks, freeing the line of attack so you can attack. Used with the three fundamental blocks of the ving tsun system. Than can a block and beggar's hand.Itis one of the The techniace 1s used to redi. arm parallel to the ground it can also be used to trap and control an incomin technique, disabling it from use. The ran sal is created by placing the fingers on the line of attack at your chest and then pushing them forward with the elbow so they follow the line of attack The wrist follows the same path as the fingers. As the wrist gets to the chest it then moves in to occupy the line of attack. The same with the elbow. then complete the fingers, wrist and elbow will all be on the line of attack. When kept on the line of attack the taan sau will be able to enter into the smallest holes in the defense of the opponent, like a needle. The taan sau can be performed flat, with the forearm parallel to the ground. Although not practical for stopping a punch to the head, this position has other It can be used to trap the arms of the opponent. Trapping the opponent's hands is difficult to perform and therefore increases your skill when you practice it. It also enhances the ability to handle the arms of the opponent. If the opponent's hands can be trapped with a parallel taan sau it is very easy to control them when the taan sau is not parallel. Train the hardest method in order to improve your skill. The parallel taan sau also shows the optimal elbow angle (between the forearm and upper arm). The angle will be somewhere around 130 degrees but is unique to Knowing and keeping this angle will provide the most structurally sound form. When using the taan sau in a fight, keep this same angle. Raise the taan sau by using your shoulder as a hinge and lifting the fingers. The angle at the elbow should not change. If the taan sau is always performed high there is no angle is correct. measurement relative to your body that can be used to confirm the distance or THE TAAN SAU SHOULD HAVE JUST ENOUGH WEIGHT to control and remove the punch from worry. It should not be too heavy. TAAN SAU COLLECTS HEI IN THE PALM AND SHOOTS ENERGY FROM THE FINGERS. When the taan sau is performed slowly hei is moved from the daan tian to the palms. When performing the taan sau in the form, imagine leading with your fingers as if energy was being thrown from them. Page 106 Words may show the will of a man, but actions his meaning.

attacks, freeing the line of attack so you can attack. Used with the three fundamental blocks of the ving tsun system. T...

attacks, freeing the line of attack so you can attack. Used with the three fundamental blocks of the ving tsun system. Than can a block and beggar's hand.Itis one of the The techniace 1s used to redi. arm parallel to the ground it can also be used to trap and control an incomin technique, disabling it from use. The ran sal is created by placing the fingers on the line of attack at your chest and then pushing them forward with the elbow so they follow the line of attack The wrist follows the same path as the fingers. As the wrist gets to the chest it then moves in to occupy the line of attack. The same with the elbow. then complete the fingers, wrist and elbow will all be on the line of attack. When kept on the line of attack the taan sau will be able to enter into the smallest holes in the defense of the opponent, like a needle. The taan sau can be performed flat, with the forearm parallel to the ground. Although not practical for stopping a punch to the head, this position has other It can be used to trap the arms of the opponent. Trapping the opponent's hands is difficult to perform and therefore increases your skill when you practice it. It also enhances the ability to handle the arms of the opponent. If the opponent's hands can be trapped with a parallel taan sau it is very easy to control them when the taan sau is not parallel. Train the hardest method in order to improve your skill. The parallel taan sau also shows the optimal elbow angle (between the forearm and upper arm). The angle will be somewhere around 130 degrees but is unique to Knowing and keeping this angle will provide the most structurally sound form. When using the taan sau in a fight, keep this same angle. Raise the taan sau by using your shoulder as a hinge and lifting the fingers. The angle at the elbow should not change. If the taan sau is always performed high there is no angle is correct. measurement relative to your body that can be used to confirm the distance or THE TAAN SAU SHOULD HAVE JUST ENOUGH WEIGHT to control and remove the punch from worry. It should not be too heavy. TAAN SAU COLLECTS HEI IN THE PALM AND SHOOTS ENERGY FROM THE FINGERS. When the taan sau is performed slowly hei is moved from the daan tian to the palms. When performing the taan sau in the form, imagine leading with your fingers as if energy was being thrown from them. Page 106 Words may show the will of a man, but actions his meaning. No text in art

attacks, freeing the line of attack so you can attack. Used with the three fundamental blocks of the ving tsun system. T...