@invincibledruid331 — Character Gallery — Page 2

Water knight, flowing armor, defensive specialist. Water element. Location within the ruins

Young Faerie king ruler of the elemental faeries. Elegant, terrifying, ancient standing. location within the ruins

Young Faerie king ruler of the elemental faeries. Elegant, terrifying, ancient. location within the ruins

Faerie king ruler of the elemental faeries. Elegant, terrifying, ancient. location within the ruins

Faerie dangerous magical attacker. Void element, location within the ruins

Faerie healer/ support caster. Holy element, location within the ruins

Faerie supportive, defensive caster. Earth element, location within the ruins

Faerie fast, evasive . Wind element, location within the ruins

Faerie graceful, evasive, healing-leaning. Water element, location within the ruins

Faerie fast, explosive caster. Fire element, location within the ruins

A heavy armored knight void element, location within the ruins

A heavy armored knight holy element, location within the ruins

A heavy armored knight earth element, location within the ruins

A heavy armored knight wind element, location within the ruins

A heavy armored knight water element, location within the ruins

A heavy armored knight fire element, location within the ruins

Forest fox fire element, location within the ruins

Flying bunny wind element, location within the ruins

Tree folk earth element, location within the ruins

Majestic lion, location the outskirts of a ruin

White tiger water element, location the outskirts of a ruin

Green tiger earth element location the outskirts of a ruin

Giant elk wind element location the outskirts of a ruin

Armored bear earth element location the outskirts of a ruin

Giant hawk wind element location the outskirts of a ruin

Shadow wolf fire element location the outskirts of a ruin

White wolf wind element location the outskirts of a ruin

White wolf location the outskirts of a ruin

Young hero short hair fit build no weapons

Young hero short hair fit build

Mtg back the legend of dragoons title in gold

Martial arts technique wing chun Taan sau - palms up beggar’s hand have the character use taan sau and wu sau defending against an opponent

Martial arts technique wing chun Taan sau - palms up beggar’s hand

Martial arts technique Taan sau - palms up beggar’s hand

Taan sau - palms up beggar’s hand

attacks, freeing the line of attack so you can attack. Used with the three fundamental blocks of the ving tsun system. Than can a block and beggar's hand.Itis one of the The techniace 1s used to redi. arm parallel to the ground it can also be used to trap and control an incomin technique, disabling it from use. The ran sal is created by placing the fingers on the line of attack at your chest and then pushing them forward with the elbow so they follow the line of attack The wrist follows the same path as the fingers. As the wrist gets to the chest it then moves in to occupy the line of attack. The same with the elbow. then complete the fingers, wrist and elbow will all be on the line of attack. When kept on the line of attack the taan sau will be able to enter into the smallest holes in the defense of the opponent, like a needle. The taan sau can be performed flat, with the forearm parallel to the ground. Although not practical for stopping a punch to the head, this position has other It can be used to trap the arms of the opponent. Trapping the opponent's hands is difficult to perform and therefore increases your skill when you practice it. It also enhances the ability to handle the arms of the opponent. If the opponent's hands can be trapped with a parallel taan sau it is very easy to control them when the taan sau is not parallel. Train the hardest method in order to improve your skill. The parallel taan sau also shows the optimal elbow angle (between the forearm and upper arm). The angle will be somewhere around 130 degrees but is unique to Knowing and keeping this angle will provide the most structurally sound form. When using the taan sau in a fight, keep this same angle. Raise the taan sau by using your shoulder as a hinge and lifting the fingers. The angle at the elbow should not change. If the taan sau is always performed high there is no angle is correct. measurement relative to your body that can be used to confirm the distance or THE TAAN SAU SHOULD HAVE JUST ENOUGH WEIGHT to control and remove the punch from worry. It should not be too heavy. TAAN SAU COLLECTS HEI IN THE PALM AND SHOOTS ENERGY FROM THE FINGERS. When the taan sau is performed slowly hei is moved from the daan tian to the palms. When performing the taan sau in the form, imagine leading with your fingers as if energy was being thrown from them. Page 106 Words may show the will of a man, but actions his meaning. No text in art

attacks, freeing the line of attack so you can attack. Used with the three fundamental blocks of the ving tsun system. Than can a block and beggar's hand.Itis one of the The techniace 1s used to redi. arm parallel to the ground it can also be used to trap and control an incomin technique, disabling it from use. The ran sal is created by placing the fingers on the line of attack at your chest and then pushing them forward with the elbow so they follow the line of attack The wrist follows the same path as the fingers. As the wrist gets to the chest it then moves in to occupy the line of attack. The same with the elbow. then complete the fingers, wrist and elbow will all be on the line of attack. When kept on the line of attack the taan sau will be able to enter into the smallest holes in the defense of the opponent, like a needle. The taan sau can be performed flat, with the forearm parallel to the ground. Although not practical for stopping a punch to the head, this position has other It can be used to trap the arms of the opponent. Trapping the opponent's hands is difficult to perform and therefore increases your skill when you practice it. It also enhances the ability to handle the arms of the opponent. If the opponent's hands can be trapped with a parallel taan sau it is very easy to control them when the taan sau is not parallel. Train the hardest method in order to improve your skill. The parallel taan sau also shows the optimal elbow angle (between the forearm and upper arm). The angle will be somewhere around 130 degrees but is unique to Knowing and keeping this angle will provide the most structurally sound form. When using the taan sau in a fight, keep this same angle. Raise the taan sau by using your shoulder as a hinge and lifting the fingers. The angle at the elbow should not change. If the taan sau is always performed high there is no angle is correct. measurement relative to your body that can be used to confirm the distance or THE TAAN SAU SHOULD HAVE JUST ENOUGH WEIGHT to control and remove the punch from worry. It should not be too heavy. TAAN SAU COLLECTS HEI IN THE PALM AND SHOOTS ENERGY FROM THE FINGERS. When the taan sau is performed slowly hei is moved from the daan tian to the palms. When performing the taan sau in the form, imagine leading with your fingers as if energy was being thrown from them. Page 106 Words may show the will of a man, but actions his meaning.

Wing chun tan sau

Wing chun tan say