@fierceknight521 — Character Gallery

Full body, with multiple variations of Man at thirty in a dark coat, low voice, telling a child to go home. Escort, not a monster. Face optional or withheld. Fortiche painted, 1965 woods light.

Full body, with multiple variations of Shoulder of a coat and a voice only. No full face. Forty-five in the Bear Lodge memory. Design so a shoulder is enough. Not the 1965 man in the dark coat. Fortiche painted, partial.

Full body, with multiple variations of Modern Navy man, work clothes, one shoulder wet at the seam, crushed sandwich. Will not look at the hull. Ordinary. The extraordinary is what he saw. Fortiche painted, harbor weather.

Full body, with multiple variations of Man who was twenty-eight in 1945 and is still twenty-eight. Period flight gear that has not had seventy-four years. Headset, stands at a radio like it might still be 6 p.m. Thirst is the tell — he drinks before he is interesting. Not a ghost costume. Fortiche painted, 1940s aviation clothing in modern light.

Full body, with multiple variations of Broader man, clothes for a hit not a sermon. Shoulder he rolls when he hates the wait. Impatient face, jaw tight when Reed talks. Force with a leash. Not a monster. Fortiche painted.

Full body, with multiple variations of Blind man, eyes that do not track. Clothes chosen by touch: good cloth, no logos. Head tilt before a click. Calm face. Faces Sarah a degree off and still has her. Reads as a teacher, not a villain. Fortiche painted, quiet authority.

a man with grey hair and a white beard

a drawing of a man in a long coat

Full body, with multiple variations of Blind man, eyes that do not track. Clothes chosen by touch: good cloth, no logos. Head tilt before a click. Calm face. Faces Sarah a degree off and still has her. Reads as a teacher, not a villain. Fortiche painted, quiet authority.

a woman standing next to a computer desk

Full body, with variations of a Woman, badge still says contractor, one cup of a headset. Clothes a little wrong for the floor. Smile she uses when the signal hurts. Ear clean when everyone else bleeds. Offset, not a priest. Not mystic robes. Fortiche painted, sodium office.

Full body, with variations of a Man with kit open, saline before a scope, blanket on a pier. Hands that shake after his heart has stopped and still pull a cuff off someone else. Looks like a man who feeds you before he examines you. Gold on gloves is evidence, not style. Fortiche painted, field medic.

Full body, with variations of a Woman, practical clothes, hair tied for a board. Tablet with a 1945 manual or a cuff-sized coil. Precise face, moral without being soft. Hands that can kill a shield and retune it. Kinship is not in the costume. Fortiche painted, real cloth, sodium or workshop light.

Woman, practical clothes, hair tied for a board. Tablet with a 1945 manual or a cuff-sized coil. Precise face, moral without being soft. Hands that can kill a shield and retune it. Kinship is not in the costume. Fortiche painted, real cloth, sodium or workshop light.

a character sheet of a man with a gun

a man holding a rifle and writing on a piece of paper

Lean man, clothes that inventory well, nothing souvenir. Rifle checked then the rack checked. Attentive face, not cruel. Completes a form the way other people breathe. Reads as security, not a villain. The heel is the same silhouette. Fortiche painted, practical field gear.

Thirty-four-year-old man, body of someone who sleeps in the seat and still stands up useful. Jacket with a radio rub on the shoulder. Younger face than the job, silence worn on purpose. Loyal in the shoulders. Second, not the lead. Field or hangar lighting. Fortiche painted, realistic cloth.

a collage of photos of a woman with red hair

a woman with red hair sitting at a table in a library

a series of photos of a woman with red hair

a series of photographs of a large lizard

a collage of photos of a woman standing next to a crocodile

a collage of photos of a woman holding a folder

Mid-fifties woman, hair kept neat. Coat already on. Hands flat on a board as if it might move. Smile that is not for the room. Looks like someone you would hand a form. Office face only. Windowless sodium-lit floor. Fortiche painted, real cloth, closed eyes that have already counted.

three men in suits and ties with guns

Mid-fifties man, tall enough to be still instead of loud. Gray at the temples. Suits that are not fashion, collar open or buttoned depending on the room. Hands that do not fidget, wedding ring he does not touch. Kind at the mouth, closed at the eyes. Reads as both a father and a director in one silhouette. Never a field man. Windowless sodium office or landing. Fortiche painted, realistic cloth weight.

Late twenties woman, compact athletic build, not slight. Dark hair cut short so a headset does not fight it. Open tired eyes, mouth that closes on a word. Vest over a already-worked shirt, scuffed boots, no rank flash. Wrist slightly tense. Standing in a windowless sodium-lit office or cold field weather. Fortiche painted style, realistic cloth, faces that hold feeling.